...tournent...

Measures 27 to 29:

1. A flat key signature.
2. The fourth motive in the bass.
3. Thematic material from the first measures in Ab.
4. This time over a Db-Ab harmony.
5. The theme repeats in both voices.
6. Sequence using the fourth motive.
7. Sequence using the half step motive.

Measures 30 to 31:

• A dominant chord in measure 30 resolves to the tonic in measure 31.
• A chromatic internal voice adds some dissonances while moving to G.

Measures 31 to 36:

1. Once in Ab major, the theme reappears in measures 31 to 34.
2. A series of major triads ends the section over G# major (enharmonic of Ab).

Measures 27 to 36:

Paavali Jumppanen, piano
Isabella Stewart Gardner Museum
Creative Commons Attribution-NonCommercial-NoDerivs 4.0

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