The prelude begins with a sextuplet motif using the G flat major key signature. The use of the III and IV degrees suggests the Phrygian B-flat mode:
  
  In measure 3, the main theme of the prelude appears as an internal voice with pentatonic character:
  
  At measure 9, a contrasting material uses the Doric E-flat mode. The upper melodic line describes a semi-diminished C chord (C-Eb-Gb-Bb):
  
  Paavali Jumppanen, piano
    Isabella Stewart Gardner Museum
    Creative Commons Attribution-NonCommercial-NoDerivs 4.0
  
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