The first episode leads us to a series of stretti using the subject in the original (S) and inverted (SI) forms:

A second stretto begins in measure 17:

A triple stretto appears in measure 21 between the bass (original form), soprano (inverted) and bass (inverted). The last notes are missing from the first two entries:

A short episode in measures 25 and 26 uses the inverted version of motive a. The soprano uses the inverted versions of the countersubject (CS-a and CS-b):

Another triple stretto starts in measure 27 (inverted soprano, alto and bass original). The soprano and bass subjects lack the last note. CS-a and CS-b are used:

© 2011 José Rodríguez Alvira. Published by


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