Reading Music

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Introduction

Beats and Measures

Time Signature

Note Value

Dotted Notes and the Tie

Rests

Values Shorter Than a Beat

Eighth and Sixteenth Notes

Eighth-Note and Sixteenth-Note Rests

Triplets

Beat Unit

Simple and Compound Meters

Reading Musical Notes

An Example

Accidentals

Key Signatures

Keyboard Notes

Other Tutorials:

Intervals

Scales

Chords

Harmonic Functions

Musical Forms

Related Exercises:

Rhythmic Dictation

Clef Reading

Time Signature

Key Signature Construction

Key Signature Identification

Key Signatures

When a piece is not in the key of C Major or A Minor, it requires the use of regular accidentals. In order to avoid having to keep writing those accidentals, we can place them at the beginning of the piece using what is known as a key signature.

For instance, a piece in the key of D Major makes regular use of the notes of F-sharp and C-sharp. The key signature of D Major will then utilize those two accidentals; meaning that when this key signature is present, all F and C notes are automatically raised and become sharp notes, unless they are preceded by the symbol of the natural accidental.

Following we have a fragment from Beethoven’s famous Ode to Joy, in the key of D Major. Note how all the F and C notes are played sharp:

Practice key signatures construction and identification

For more information see:

Translated by Dan Román, English version revised by Sue Talley

© 2011 J. Rodríguez Alvira

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