A chord progression at the end of a phrase. There are several type of cadences.
The perfect authentic cadence. V (dominant) - I (tonic). Both chords must be in root position and the uppermost note in the tonic chord must be the tonic:
The Imperfect authentic cadence. V - I like the perfect authentic cadence but one of the chords is inverted or the uppermost note in the tonic chord is not the tonic. Two examples:
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Imperfect because both chords are inverted.
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Imperfect because the tonic chord uppermost note is not the tonic.
Half cadence or semi cadence. A chord progression that ends in the V (dominant):
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Deceptive or interrupted cadence. V (dominant) - vi or V - IV:
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Plagal cadence. IV (subdominant) - I:
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