Measures 60 to the End

A long episode using motive b in its original and inverted form starts in measure 60. A dominant pedal is established in measures 63 to 65:


In measure 74 the subject appears over a tonic pedal. The first few measures (74 to 76) the pedal is really a secondary dominant pedal (of the subdominant) and the subject is in the G minor key:


©2008-2017 José Rodríguez Alvira. Published by


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